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◎书法要拙中生美
书自悬肘来之拙是真拙，非不知书者之自然拙，亦非知书者之模仿拙。自然拙不美，模放拙反丑。近世如何子贞之小字，确是腕肘并运，五指齐运否尚看不出。包慎伯似兼运指者。
石屋余瀋 · 马叙伦 · Chapter 76 of 132
◎书法要拙中生美
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